HOLE_AID presents Up the Catalogue, an ambitiously small film set in a fictional shopping channel by the name of 4QTV. Tasked with flogging a seemingly endless cycle of questionable products, star presenter, Hailey Cartin, is starting to fear she might be trapped in live television. When a rival product demonstrator eventually forces Hailey to confront her own quest-defying reality, will she ever be able to climb out of the hole she’s now in? Maybe. But maybe not. (And certainly not without the generous help of the film’s sponsors, HOLE_AID.) A story for the ages, Up the Catalogue boldly takes the shopping channel film genre away from cult classic territory and straight into the mainstream.
A young nurse, a visionary scientist and an innovative surgeon face opposition from the church, state, media and medical establishment, in their pursuit of the world’s first ‘test tube baby’, Louise Joy Brown.
Rosa unexpectedly finds herself spending an evening out alone as her daughter throws an 18th birthday party in their house. Wasting time in her small Cornish town, she spies a woman she has met once before - and is drawn to her.
As the Cold War rages, ex-smuggler turned reluctant spy Harry Palmer finds himself at the centre of a dangerous undercover mission, on which he must use his links to find a missing British nuclear scientist.
January 1942, in Nazi-occupied Poland during World War II. Thousands of Jews have been confined to the Warsaw ghetto for more than a year. Outside, life goes on; inside, they struggle to survive another day. Still, on a cold winter night, a group of Jewish actors manage to stage a lively musical comedy.
Leah, 10, has terrible nightmares. Her mother seems distant somehow, lost in her thoughts. A small, nightly visitor brings Leah comfort, but soon Leah will realize that her little visitor offers knowledge that might be very, very dangerous.
It’s the height of lockdown, and Beth has asked her older sisters for a video call. She’s expecting a functional chat about how to split mum’s shopping bill, but the conversation takes a darker turn. A hyperrealistic family drama devised remotely through improvisation.
Based on the novel by Thomas Engström, a former Stasi double agent is asked by his old CIA contact to work one more case.
Battered by life, detective Julien Baptiste will investigate to the brink of obsession. Whatever the cost. Whatever it takes.
Anastasia Hille (born 1965) is an English film, television and theatre actress, and ceramicist. Born in London, she was a student at London's Drama Centre and won second prize at the Ian Charleson Awards in 1994 (the first prize was awarded to Toby Stephens and the third prize to Jude Law). She has twice been nominated for the Olivier Award for Best Supporting Actress, for The Master Builder at the Almeida Theatre in 2011, and for The Effect at the National's Cottesloe Theatre in 2013.
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