On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
A middle age woman's life is turned upside down when she starts a relationship with a much younger man.
Anna, 50 years old, moves into her new house. Rooms are full of boxes which contain a lot of things and plenty of memories. Anna has lived many lives and her past comes out of these boxes. Her parents surely, but also her children and their fathers, the living and the dead. In this breakneck period of her life, time is running faster and faster and Anna takes a run-up to face the past and try to go towards the future. And, maybe, to manage to still believe in love?
German two-part miniseries about the westerns staying at a popular hotel in Shanghai as the Japanese invasion of China also known as the Second Sino-Japanese War begins in 1937 as a precursor to WWII.
Laurence is 30 years old, has a loving husband and an exciting job. But her happiness is not complete because, despite numerous attempts, she is unable to have a child. Weakened by a miscarriage, her hope is reborn the day she meets Edith, a former nurse who has developed a personal method of care based on energy control. Thanks to Edith, Laurence regains her health and finally becomes pregnant. But there is a price to pay.
Raymond and Robert Bidochon lead a dismal life in a suburban HLM. The change, so hoped for by Raymonde, could come from a reality show, Grand Bonheur, in which they participate.
The story of a young gymnast who has a serious accident during a competition and who will fight to be able to live again from her passion.
Annie Girardot (25 October 1931 – 28 February 2011) was a French actress. She began performing in 1955, making her film debut in Treize à table. Girardot won the Prix Suzanne Bianchetti in 1956, and in 1977 won the César Award for Best Actress portraying the title character in Docteur Françoise Gailland. At the Venice Film Festival she won the Volpi Cup (Best Actress), in 1965 for Trois chambres a Manhattan. In 1992, she was the Head of the Jury at the 42nd Berlin International Film Festival. In 2002, she was awarded the César Award for Best Supporting Actress for her role in The Piano Teacher. She collaborated with director Michael Haneke again, in the 2005 film Caché. Another of her best known roles was as Nadia the prostitute in Luchino Visconti's epic Rocco e i suoi fratelli (Rocco and His Brothers, 1960). Nadia's beauty drives a wedge between Rocco and his brother Simone (Renato Salvatori). In contrast to their violent on-camera relationship, Girardot and Salvatori married in 1962. They had a daughter, Giulia, and later separated but never divorced. Description above from the Wikipedia article Annie Girardot, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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