At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
A famous rock singer is being overtaken. Vox, the album and live producer of the singer, prepares a real revolution with the help of a scientist. With holography, they would like to create the perfect copy of the star.
Charles Denner (29 May 1926 – 10 September 1995) was a French actor born to a Jewish family in Poland. During his 30-year career he worked with some of France's greatest directors of the time, including Louis Malle, Claude Chabrol, Jean-Luc Godard, Costa-Gavras, Claude Lelouch and François Truffaut who gave him two of his most memorable roles, as Fergus in The Bride Wore Black (1968) and Bertrand Morane in The Man Who Loved Women (1977). Description above from the Wikipedia article Charles Denner, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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