With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.
Jean-Paul Belmondo returns to the settings of a fantastic career, accompanied by his son Paul. Over a career spanning 50 years, Jean-Paul Belmondo’s movies drew over 130 million people into cinemas. This logbook takes us back to sets and countries, from where we can revisit the films in reference and find out about his fruitful collaborations with various directors. Paul Belmondo will lead the investigation, meeting the stars and his father’s friends (eye-witnesses all) and questioning his father about his journey, sharing it with us so we can discover the man and his story like never before.
At 92 years old, Madeleine decides to set the date and conditions of her death. By telling her daughter Diane and her son Pierre, she hopes to prepare them as gently as possible but it comes as a shock, and their minds are set ablaze. Until the end, Madeleine will keep her dignity, wits, and passion for life as a course of conduct, so she can give them all, and in particular Diane, a touching “final lesson”.
This is the story of four French friends: the Greek (an osteopath), Fifi (who lives with his mother), Fortuné (a West Indian) and Freddy (a gambler). They meet up regularly at a Parisian bookmakers’, their favourite haunt. Tired of frittering away the little spare cash they have, they agree to give up gambling. But no sooner have they taken this pledge than Fate intervenes, in the guise of the turf king, Monsieur Paul. The latter persuades the four friends to buy a champion racehorse, not knowing that it is in fact an old nag…
How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.
On the 200th anniversary of the French Revolution, this film is a tribute to the French nation, through historical reconstructions of the Revolution and the First Empire, as well as reports on the successes of France modern, the presence of France in the world, its history and its soil.
On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?
A disgruntled scientist is fired from his job; slipping into madness, he invents a machine which harnesses the airwaves and can shoot people through the TV screen.
The miseries of alcoholism, both for the alcoholic and anyone close to him, are the focus of this routine story about Mathilde, a devoted wife, and her husband Pierre, who is addicted to the bottle. The opening scene is at a New Year's party where Pierre disappears, and Mathilde starts remembering their life together in flashbacks that tell the whole story. Mathilde is ever-suffering, and Pierre is on the whole revolting, so why she hung in there for so long is hopefully made clear in these flashbacks.
Charles Gérard (born Gérard Adjémian, 1 December 1922 – 19 September 2019) was a French actor and director. He appeared in more than fifty films beginning in 1957. In many films he worked with director Claude Lelouch. He was a close friend of Jean-Paul Belmondo for over 60 years. Gérard was of Armenian origin. Source: Article "Charles Gérard" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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