Starting as a story of a bullied young female factory worker, the film amps up its frightening tropes as it gradually escalates into a feverish nightmare. An evil boss, an abusive father, a sibling’s mysterious death, creepy dolls, ghost children, and blood-chillingly violent setpieces all come together both viscerally and metaphorically for this brooding tale of repression and the dark side of human nature.
Told from Nin’s perspective, Show Me Your Love subtly reveals how the mother and son had been estranged by their years of miscommunication before Nin moved to Hong Kong to go to university. As the pair patch up their differences for a poignant closure, the film retains its composure with believable performances by its leads.
Look back on 4 comedy classics with 7 top filmmakers of our time. Explore the cultural impact of The Hui Brothers – the most successful cinema trio in Hong Kong history.
About to turn 50, a librarian's world is shattered when she learns that her 70-year-old father may have gotten their maid pregnant.
Told through the eyes of sticky-fingered eight-year-old boy Big Ears, Echoes of the Rainbow takes place in a close-knit grassroots community in 1960s Hong Kong. Big Ears' mother and father run the neighborhood shoe store, and his older brother Desmond is every family's dream son - an outstanding athlete with grades worthy of Hong Kong's best school.
In this sequel to Yesterday You, Yesterday Me, Bobby looks back on his youthful dreams -- the joys of love and the pain of separation. He also remembers the summer of 1985 when he was smitten with a woman named Sharon.
A Hong Kong version of the 1978 American film Same Time, Next Year, I Will Wait For You stars the winning screen pair of Anita Yuen and Tony Leung Ka Fai. So Yau Shing (Tony Leung Ka Fai) is a married salesman who meets the spirited and lovely Cheung Wai Sum (Anita Yuen) two weeks before she's due to be married. But love can't be denied, no matter the circumstance. The two fall passionately into bed, but the reality of their lives won't allow for everlasting happiness. They agree to meet at the same place and at the same time every year to consummate their love...but can they - and their initially unaware spouses - handle the long term love affair?
This 1994 Chinese New Year offering takes place over a period of time between one Christmas and Chinese New Year's eve. We are introduced to thirteen "Big Rich" people, learn of their particular dispositions and dilemmas, are witness to the former either getting changed or developed and see the latter (re)solved. Teresa Mo as the daughter just returned from studying in France; Leslie Cheung as the friend who came in tow; Tony Leung Kar Fai as the cartoonist son who can only speak normally when he is anxious; Anita Yuen as the woman who Tony Leung's character falls in love with; Carol "Do Do" Cheng as her flat-chested, disciplinary-cum-art teacher sister; Raymond Wong as the eldest son who cannot handle alcohol well; Petrina Fung Bo Bo as his estranged wife; Sean Lau as the marriage-minded cousin; and Kwan Tak Hing as the eccentric-but-definitely-not-senile grandfather.
A triad gangster is sent to prison and there he meets a millionaire who takes him under his wing. When back out he is showered with wealth. There is one problem--he doesn't fit in with his old friends nor his new rich acquaintances.
Clifton Ko is a Hong Kong film director, actor, producer and scriptwriter. He entered TV and film industry in late 1970s, firstly worked with director Clifford Choi. In 1982 Ko entered Raymond Wong's the newly founded Cinema City & Films Co., and directed his first film The Happy Ghost in 1984. The film series, like all his major works, is a slapstick comedy with moral teaching, family value, and optimism.
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