Franz Lehár’s laugh-out-loud operetta, The Merry Widow, is a work of pure theatrical pleasure: a cocktail of ravishing music, touching romance and madcap comedy. Glyndebourne’s lavish new staging from award-winning West End director Cal McCrystal boasts all the opulence of classic Hollywood and stars Danielle de Niese as the glamorous, wealthy widow Hanna on a search for true love.
Paris, 1900. Penniless writer Rodolfo believes that art is all he needs – until he meets Mimì, the lonely seamstress who lives upstairs. So begins a timeless love story that blooms, fades, and rekindles with the passing seasons. But while the couple’s friends, Marcello and Musetta passionately row and make up, a force greater than love threatens to overtake Rodolfo and Mimì. Richard Jones’s production evokes the vivid contrasts of fin de siècle Paris, from Bohemian apartments to glittering arcades, while Kevin John Edusei, Evelino Pidò and Paul Wynne Griffiths conduct an array of dazzling performers
The Orchestra of the Royal Opera House presents a new production of Poulenc's short opera La Voix Humaine, featuring soprano Danielle de Niese and shot on location in Paris and London.
Danielle de Niese explores the lives and works of five female composers - from the Middle Ages to the late 20th century - who were famous in their lifetimes, but whose work was then forgotten. Western classical music has traditionally been seen as a procession of male geniuses, but the truth is that women have always composed. Hildegard of Bingen, Francesca Caccini, Clara Schumann, Florence Price and Elizabeth Maconchy - all these women battled to fulfill their ambitions and overcome the obstacles that society placed in their way. They then disappeared into obscurity, and only some have found recognition again.
Documentary in which soprano Danielle de Niese provides a unique backstage pass to her preparations for the role of Rosina in Glyndebourne's 2016 production of Rossini's masterpiece The Barber of Seville, one of the greatest comic operas, to mark the 200th anniversary of its premiere. The film gives an unparalleled insight into how a top opera professional shapes a performance, both musically and dramatically. As well as actuality filming of all stages - from singing to warm-ups to costume fittings, lighting and set building on stage, through to hair and make-up - there are masterclass sessions with director Annabel Arden, conductor Enrique Mazzola and other key cast members to explore key scenes in depth. Danni also visits the Rome theatre where the disastrous premiere took place in 1816. The film also features interviews with Arden, Mazzola, designer Joanna Parker and other key figures in the production, and footage from the staged version of the opera throughout.
One of the reasons why Donizetti's Don Pasquale is regarded as a cornerstone of the Italian comic opera tradition is because its characters are no mere commedia dell’arte stereotypes, but complex, vulnerable human beings. This is brought to the fore in Mariame Clément's sensitive and perceptive production, which was hailed by the Financial Times as ‘a Glyndebourne classic’. Acclaimed buffo baritone Alessandro Corbelli sings the title role ‘with just the right degree of lugubriousness’, while Danielle de Niese, one of today's most sought-after sopranos, is an ‘engaging’ and ‘irresistible’ Norina (The Telegraph). Bel canto specialist Enrique Mazzola conducts with flair and panache. Filmed in High Definition and recorded in true Surround Sound.
Director and choreographer Mark Morris’s production of Gluck’s masterpiece updates the immortal story from its ancient Greek roots to the timeless present, where, he says, “the union of chorus and dancers feels inevitable and inseparable.” With costumes by Isaac Mizrahi and a set designed by Allen Moyer, this production surrounds the action with the superb Met chorus dressed as a crowd of historic characters who bear witness to the transformative power of love. Orfeo (Stephanie Blythe) is so consumed with grief at the death of his beloved Euridice (Danielle de Niese) that the gods (Heidi Grant Murphy as Amor) allow him to lead her back from the underworld—if he will not look at her on the way. Of course he can’t resist looking, but the gods are truly merciful.
An early baroque masterpiece, Monteverdi's L’incoronazione di Poppea was inspired by The Annals by Tacitus and celebrates the love of the emperor Nero and the courtesan Poppea. Filmed at the 2008 Glyndebourne Festival, Robert Carsen’s production brings together Danielle de Niese, Alice Coote and the Orchestra of the Age of Enlightenment under the direction of Emmanuelle Haïm.
"William Christie and Les Arts Florissants propel this exuberant production of Jean-Philippe Rameau's second opera to great heights. Andrei Serban's extravagant, highly baroque staging presents the four exotic love stories vibrantly. In 'Le Turc généreux' Osman sets free his captive, Emilie, whom he loves, so that she may be reunited with her former lover, Valère; 'Les Incas de Pérou' is all about the rivalry of the Inca Huascar and the Spaniard Don Carlos, both in pursuit of Princess Phani; 'Les Fleurs' offers a Persian love intrigue, as the Sultana Fatime tries to detect whether her husband Tacmas has his eye on the lovely Atalide; and 'Les Sauvages' takes us to North America, where a Spaniard and a Frenchman compete for the love of Zima, daughter of a native chief, who prefers one of her own people." — from the DVD cover
Danielle de Niese is an Australian-American lyric soprano.
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