Andreas Kaiser returns to his Bavarian hometown of Schexing after around 15 years. The mayoral elections are coming up, but there is no one who wants to take over the office. Municipal treasurer Nelz and town hall manager Rosi Specht see Andreas as the ideal candidate. Inexperienced as he is, they believe they have an easy game with him. A mistake, as it soon turns out. No less stubborn than his father, farmer Ludwig Kaiser, Andreas throws himself into his work, develops unusual ideas and slowly but surely begins to turn the idyllic village upside down. Which doesn't meet with everyone's approval.
When Beatrice and Benedict can't stop fighting, their friends start scheming to get them together. However, a more sinister plot seeks to tear Hero and Claudio apart at the same time. Will lies win over love?
München 7 is a German police drama series from Franz Xaver Bogner. The show is set in Munich, Germany and features the fictive police station "München 7" or "Munich 7". The main characters are the "Sheriff from Marienplatz" Xaver Bartl and his new colleague Felix Kandler. München 7 is part of a series of commonly branded shows with similar themes called "Heiter bis tödlich".
71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.
The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).
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