Anna accidentally pockets a client's ring. The client, Simon, blackmails her for sex or he'll report the theft, jeopardizing her career. Anna schemes to evade Simon's demands while concealing her mistake.
During the unveiling of Rembrandt's The Standard Bearer in the Rijksmuseum, five masked figures storm in and take the 175 million euro artwork hostage.
A young woman struggles to cope with her elderly father's out-of-the-blue announcement he considers his life complete and will end it by his next birthday.
In FEAST, perpetrators, victims and their spectators become involved in a dramatic reconstruction of the Groningen HIV case. The film tells a story about power and surrender, the reversibility of truth and the desire to come home somewhere.
In Kings of War, director Ivo van Hove focuses on political leadership. The original texts were retranslated by Rob Klinkenberg and then thoroughly adapted: the Hundred Years' War between England and France, and the Rose Wars between the houses of Lancaster and York for the English throne, which are emphatically present as a historical context in the original pieces, were referred to the background in the adaptation in order to accommodate a varied portrait of successive kings. As leaders in times of political instability and war, they show remarkable affinities with world leaders today.
After the sudden death of her older sister, a successful singer-songwriter finds herself facing their family's darkest memories as she fights to win custody over her adolescent niece from the girl's lawful but long-absent father.
In 1948, Albert Gemmeker, the former commander of the Dutch concentration camp Westerbork, finds himself in an interrogation room opposite a man unknown to him. It soon turns out that Gemmeker's interrogator has a personal reason to force him to confess about his war past and the transportation of 80.000 Jews to the extermination camps.
When the bored out philosopher Maarten Moreau gets caught up in a robbery, he accidentally gets hold of the weapon. Seized by a renewed appetite for life, Maarten decides to keep the gun. A true romance blossoms between the boy and the gun, not without consequences.
Astrid Holleeder works towards the moment when she definitively betrays her brother to Justice. Flashbacks make it clear what childhood she and her brother have wrestled themselves with and how painful, but necessary, her betrayal is.
By browsing this website, you accept our cookies policy.