The story of the rise to stardom of Joaquin Phoenix, an actor of magnetic physique, tumultuous past, socially committed, who for years has offered outstanding performances.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Elia Kazan represented the American dream. An immigrant who came without anything and who became the Prince of Hollywood and Broadway after World War II. Actor, theater director, filmmaker, writer, he is the founder of Actor’s Studio, a collaborator of Arthur Miller and Tennessee Williams, and a director who discovered Marlon Brando and James Dean.
Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
James Gray (born April 14, 1969) is an American film director and screenwriter. Since his feature debut Little Odessa in 1994, he has made seven other features, including We Own the Night (2007), Two Lovers (2008), The Immigrant (2013), The Lost City of Z (2016), Ad Astra (2019), and Armageddon Time (2022). Five of his films have competed for the Palme d'Or at the Cannes Film Festival. Description above from the Wikipedia article James Gray, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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