According to Sigmund Freud: “Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways”. “Umbral” materialises the moral dilemma of whether there is a cause and effect link between trauma and criminal behaviour.
In a digital age where everything is fast and efficient, human beings are unable to develop meaningful relationships. Lia, an unconforming young woman from this well-formed society, struggles with the loss of her father and finds herself in a depressive state. After receiving an offer that promises to solve all her problems, Lia will have to make a choice: the comfort of the virtual world, in which she will have total control over her life or the real world with the virtues and difficulties inherent to everyday life.
Film biography dwelling on the hectic artistic life of António Variações, a famous Portuguese pop rock singer from the 80s, who died from AIDS-related complications in 1984.
A mysterious shadow unveiling a female figure walking naked towards us in the desert. In another sequence, the same woman speaks on the phone, talking about the end of the world. In a third moment, a couple prepares breakfast in their apartment, with the same woman from the previous sequences embracing a baby. What will these three narrative moments have in common? What is the relationship between them? Everything and nothing. Is the answer in the woman’s emotional words on the phone? Or in her helpless expression when walking naked? Or in the happiness she seems to find in the domestic routine? Perhaps the charm is really not in trying to decipher, but in getting lost in this visual and impressionistic poem, this shake that slowly expands in our senses. Max Planck, one of the founders of the ancient quantum physics theory, said that energy has a discontinuous structure and can only exist under the form of fragments. These are the fragments that hide here an ethereal promise.
Eva Lemos lives a stable and seemingly happy life, until Marco, her husband, disappears suddenly after knowing that she is pregnant. Marco steals all her money, leaving her homeless and without a job, while Eva learns that Marco was only with her out of interest and lives a double life with Maria. Hatred and revolt take Eva into a journey that transforms her deeply... and not for the better.
Political comedy series about the political advisers of the ministerial cabinets and the opposition and their connivance with economic and political interests that determine how decisions are made.
The Portuguese Carnation Revolution of April 25th seen by a women perspective.
By browsing this website, you accept our cookies policy.