A look at Hammer’s progression from a back office in London’s Regent Street to its iconic status within the horror film genre. The company, started by comedian and businessman William Hinds in 1934, made films such as The Curse of Frankenstein, Dracula, and The Quatermass Xperiment during the period for which it is best known, making stars out of the likes of Christopher Lee and Peter Cushing.
The Last Sacrifice delves into the real-life 1945 witchcraft killing of Charles Walton—the terrifying event that inspired The Wicker Man and birthed the folk horror genre. This unsettling true-crime interrogation probes into the eerie, enigmatic cultural undercurrents that shaped 1970's folk horror genre, leaving an indelible mark on cinema and public psyche. The Last Sacrifice uncovers an unflinching portrayal of Britain's profound identity crisis, both during the tumultuous early 1970s and the resurgence of folk horror today, ominously coinciding with yet another national descent into madness. Its conclusion: The Wicker Man is more fact than fiction.
Aristocratic Italian roots, a close family connection to James Bond novelist Ian Fleming, wartime experiences in the British and Finnish military, post-war Nazi-hunting adventures and a side career as a heavy metal rock singer. And one of the most iconic actors of all time.
It’s 1881, and Old College, Oxford plays host to three very different academics. Abercrombie Smith is a model of Victorian manhood, clean of limb and sound of mind. Monkhouse Lee is a delicate and unworldly student from Thailand. And occupying the rooms between them is the strange and exotic Edward Bellingham, whose unnatural researches into the secrets of ancient Egypt are the talk of the college. Can Bellingham’s experiments truly bring the breath of life to the horrifying bag of bones that is the mysterious Lot No 249?
Set in the last days of World War II, a small band of Russian soldiers led by intelligence officer Brana Vasilyeva, who is tasked with trafficking the remains of Hitler back to Stalin in Russia. En route, the unit is attacked by German ‘Werewolf’ partisans and picked off one-by-one. Brana leads her surviving comrades in a last stand to ensure their ‘cargo’ doesn’t fall into the hands of those who would see it buried in order to hide the truth forever.
A revealing insight into the short life and times of Michael Reeves.
An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.
Mark Gatiss explores and celebrates Dracula, an icon of popular culture, asking just why we keep coming back to the count.
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