This documentary explores key moments in the life of writer Juan Rulfo, with artists such as Werner Herzog and Eduardo Galeano reflecting on his work.
During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.
Jorge Ayala Blanco (Mexico City, 1942) is a mexican film historian and critic, author and dean professor at the National School of Cinematographic Arts (ENAC) of the National Autonomous University of Mexico (UNAM). Although he studied Industrial Chemistry at the National Polytechnic Institute (IPN) and after trying to study film at the UNAM University Center for Cinematographic Studies (CUEC), where he occupied a place as a teacher and not as a student, he leaned towards the field of the essay. With more than fifty years of experience, he is also a professor at theNational School of Cinematographic Arts previously Center for Cinematographic Studies, since 1964 and the Casa Lamm cultural center. His contribution to the study of cinema has been his “alphabet” of Mexican cinema, a series of books of great importance for understanding the most representative films of his country.
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