4th February 1975. It's the first day of the historic actors strike that would bring the country's theatre activity to a halt for nine days. They demand one day off a week. What started out as a demand develops into political challenge. Concha Velasco, Ana Belén, Tina Sainz, Juan Diego and José Sacristán are some of the artists who risked their careers and their freedom. This is the story, narrated by its protagonists, as it has never been told before.
Years after his mysterious disappearance, Julio Arenas, a famous Spanish actor, is back in the news thanks to a television program.
During an eviction procedure in a troubled area of Madrid, police officer Dani makes a shocking discovery.
When the elderly caretaker of a remote morgue discovers the body of a young woman killed during a protest, he embarks on a magical odyssey to give her a proper burial before the militia returns.
A disgraced basketball coach is given the chance to coach Los Amigos, a team of players who are intellectually disabled, and soon realizes they just might have what it takes to make it to the national championships.
An anthology film with 20 stories on the subject of words, communication, linked to one another over a 400-metre stretch: from Madrid's Lavapiés Square to the Sala Mirador. A journey between theatre and cinema, filmed in a single fixed shot running continuously over 80 minutes and half a kilometer, in Madrid's popular Lavapiés district. The characters talk, argue, laugh, cry, threaten, whisper, shout, steal, make dates, get angry with and hug one another, prompting the spectator to reflect on the immense power of words.
Adela and her baby move to Madrid in search of a new start after a tough separation. Antonia is a shop owner with three adult daughters. The film is divided into five chapters revolving around their health, work, relationships and money.
A young worker enjoying an affair with an upper class beauty, Adelaida, is drafted by the Spanish Army to fight in the Cuban War of Independence. After Adelaida receives an unusual announcement regarding her lover's death in combat, she refuses to believe the loss of her lover. Her class-conscious family, led by her jealous sister Maria, believes that Adelaida has lost her mind and places Adelaida in an insane asylum. However, Adelaida continues to to live according to her beliefs of passion and freedom. Fellow "inmates" tell her about the wood-nymphs which inhabit the adjacent forest. Adelaida is convinced these nymphs will lead her to her lover and to happiness.
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