This film portrait of a new kind is a deep dive into the heart of the art scene of Los Angeles. From a ride on Sunset Boulevard in a convertible car at the sunrise, going through a lunch with the art dealer Patrick Painter and a visit to Peter Shire's studio... Having a beer and a deep talk with Paul McCarthy, calling Raymond Pettibon stuck in New-York or searching for Ed Ruscha in bars.... From Ariana Papademetropoulos opening exhibition to the visit of a car wreck with Umar Raschid... From the old house of Cary Grant to the dodgy underground of Downtown passing through Eugenio Lopez's private art collection on the Hollywood hills... Through intimate conversation, 24 Hour Sunset gives us access to the thoughts, inspirations and practice of legendary artists, world famous art dealers, appraised curators and collectors, as well as the young up coming scene of artists living in Los Angeles.
In 1989, I met Anton LaVey for the first time. At this time in his life, LaVey was seeing only a select few people. For this film, I've met and interviewed some of them, to try and create a composite image of what he was really like, and what he meant to these people. It's a memory lane trip, filled with personal stories, dark humor, great music and never before seen material with the Black Pope himself.
On LA’s iconic Sunset Boulevard and inside the glamorous rooms of Chateau Marmont, Floria Sigismondi shot Kenneth Anger for an additional special edition for System Magazine.
About the last two years of movie goddess Jayne Mansfield’s life and the speculation swirling around her untimely death being caused by a curse after her alleged romantic dalliance with Anton LaVey, head of the Church of Satan.
Guy Maddin, who has been nicknamed the Canadian David Lynch, is undoubtedly one of the last remaining Magi of cinema. Despite living in the middle of the digital age, this heretical director hailing from the snowy plains of Canada has spent 25 years transposing the uncommon and the uncanny onto screens over-saturated with naturalistic imagery. A lover of primitive cinema, he has cunningly summoned the light-and-shadow techniques and experimentations of the Golden Age of film to resuscitate a unique cinematographic language which plays with the spectator’s unconscious by means of visual trickery as disturbing as it is absurd. In an attitude as playful at that Maddin’s films this documentary follows the mediumistic experiments of this master of illusion, filmed during the ‘’spirit’’ shootings he presented in Europe.
Collection of short films by various directors based on dreams, 42 seconds each. It was produced by the world's most awarded vodka "42 Below", known for doing things differently , with other Chinese User Generated Films.
A magician encounters the void that separates the human mind from divine consciousness and in turn faces the mad god.
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
Disinfo.Con contains an amazing 4 hours of footage from The Disinformation Company's massive counterculture event in New York City's Hammerstein Ballroom. New York hadn't seen anything like this since the Nova Convention in 1978 which saw Frank Zappa, Patti Smith and others anoint William Burroughs as king of the counterculture. A quarter century later Disinformation's keynote speakers Richard Metzger and Douglas Rushkoff ushered in a dizzying, day-long array of performances ranging from sword-swallowing to sanskrit chanting, interspersed with lectures and conversations with counterculture luminaries like Mondo 2000 founder R.U. Sirius, industrial music progenitor Genesis P-Orridge, Grant Morrison, Robert Anton Wilson, theorists, performance artists and others from the extremes of popular culture. Nothing beats actually experiencing an event like this in the flesh, but this DVD comes pretty close to capturing the spirit of the counterculture as we lurch into the 21st century.
Elio Gelmini interviews Avantgarde filmmaker Kenneth Anger. With archive footage of Angers films, he portrays the filmmaker from his childhood until present day.
Kenneth Anger (born Kenneth Wilbur Anglemeyer; February 3, 1927 - May 11, 2023) was an American underground experimental filmmaker, actor and author. Working exclusively in short films, he produced almost forty works since 1937, nine of which in particular have been grouped together as the "Magick Lantern Cycle," and form the basis of Anger's reputation as one of the most influential independent filmmakers in cinema history. His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle." Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner," and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate." Some of his particularly homoerotic works, such as Fireworks (1947) and Scorpio Rising (1964), were produced prior to the legalisation of homosexuality in the United States. He has also focused upon occult themes in many of his films, being fascinated by the notorious English occultist Aleister Crowley, and is a follower of Crowley's religion, Thelema. This influence is evident from films like Inauguration of the Pleasure Dome (1954), Invocation of My Demon Brother (1969) and Lucifer Rising (1972). Anger has described filmmakers such as Auguste and Louis Lumière and Georges Méliès as influences, and has been cited as an important influence on later film directors like Martin Scorsese, David Lynch and John Waters.He has also been described as having "a profound impact on the work of many other filmmakers and artists, as well as on music video as an emergent art form using dream sequence, dance, fantasy, and narrative." During the 1960s and 70s he associated and worked with a number of different figures in popular culture and the occult, including Church of Satan founder Anton LaVey, sexologist Alfred Kinsey, artist Jean Cocteau, playwright Tennessee Williams and musicians Mick Jagger, Keith Richards, Jimmy Page and Marianne Faithfull. He is also the author of the controversial best seller Hollywood Babylon (1959) and its sequel Hollywood Babylon II (1986), in which he claims to expose many of the rumours and secrets of Hollywood celebrities. Description above from the Wikipedia article Kenneth Anger, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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