Jesus Franco, also known as Jess Franco, was one of the most important names in "B" cinema worldwide. With more than 200 works and a wide and peculiar use of pseudonyms, his work remains difficult to catalog, which makes it more exciting if it fits. Through a series of interviews with Franco, "Llámale Jess Redux" brings the spectator closer to the sadist, esoteric and erotic world of the director, as refined as rogue. This new version of "Llámale Jess" (2000), considered the reference documentary on Franco, and directed by Carles Prats and Manel Mayol, incorporates new unpublished statements by the irreducible Madrid filmmaker, as well as paying homage to his muse and companion, Lina Romay , Incorporating his active presence to the story.
Featurette starring actor Eric Falk and producer Erwin C. Dietrich about the making of Jess Franco's 'Barbed Wire Dolls'.
Jess Franco and Lina Romay recall the making of Macumba Sexual.
Swedish Wildcats, Italian Lesbionic Nuns, Frisky Inmates in South American Prisons, Euro Lesbo Vampires and a vast assortment of Sapphic Sleaze. This is Sexploitation. Exploitation. Gridhouse. To be Polite or Academic we call it Erotic Cinema. Whatever your term of choice, this genre's glory days blasted through the 60's and 70's. None of these films were strictly lesbian, or even for lesbians but this historic montage will change that. Here are Erotic Cinema's heroines of the 60's and 70's, fighting, tempting, teasing and fucking each other. These ladies are depraved, filthy-dirty and insatiable. You will be too.
A company is interested in acquiring the rights to a cult movie icon Oriana Balasz's estate, so they send a representative, Carla who is given the task of persuading her heirs to sell the rightism. What appears to be a routine task quickly becomes difficult when the eccentric heirs reveal their intentions regarding the estate. Upon making their acquaintance, the agent discovers that they live a life of unbridled hedonism. This is a family with some sizable skeletons in their collective closet, and as the agent delves ever deeper into their mysterious background, she slowly begins to succumb to their dark and seductive charm.
Ultra low budget horror-comedy involving a demonic cenachero (dancing fisherman).
Dr. Malvedades intends to bring back Jocántaro, a Beast of the Apocalypse. To do this, he uses underwater ninja zombies to kidnap five women who had recently lost their virginity for human sacrifices. Jess, a Catholic surfer who has commited to remain chaste until he's 24, tries to rescue his girlfriend, one of the kidnapped girls, along with his friends.
The Killer Barbies are playing at Tivoli World, a Wild West park in Spain. Komrade Irina and Komrade Ivan Ivanovich arrive from Transylvania, bringing with them the "dead" Count Dracula to be placed on display. After hearing the Killer Barbies, however, Dracula awakens, falls in love with Silvia (who looks like Charo on a bad hair day), and decides to make her his own. Realizing that they have a vampire on their hands, park owners Pepe Morgan and Martin Fierro call in the world famous, blind vampire hunter, Dr Seward. While Seward tries to track Dracula with his nose, Dracula manages to knock off a few cast members -- a faux Dracula, Bela, an acrobot with orange hair, and both Komrades Ivan and Irina. When Dracula tries to bite Silvia during a performance, Dr Seward decides to use Silvia as bait. He sends her out walking alone. When Dracula follows, they pursue and stake him. Dracula metamorphs into a white rabbit and hops away.
Romay was born in Barcelona in 1954. Following graduation from high school, she studied the arts, married actor/photographer Ramon Ardid/ Raymond Hardy (they later divorced in 1978), and began acting in stage productions. She began appearing in Jesús Franco's films from the time that they met in 1972. She appeared in more than a hundred feature films, most of them directed by Franco. Among the better known of her horror films are The Bare Breasted Countess (a.k.a. Female Vampire) (1973), Barbed Wire Dolls (1975) and Jack the Ripper (1976). She took the name Lina Romay from the actress and jazz artist from the 1940s. Although Romay was listed in the credits of several of Franco's films as a co-director, actor Antonio Mayans stated in a recent interview that Franco used to credit her in that manner for business reasons, although she never actually co-directed any of their films together. She did however contribute occasional story ideas and assist in the editing of some films and trailers. Lina Romay and Jesús Franco lived as a couple for close to four decades, but only officially married on April 25, 2008. She died from cancer at the age of 57 on 15 February 2012, in Málaga, Spain. Franco died soon after in 2013.
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