Lizzie Borden

Overview

Known for
Acting
Gender
Other
Birthday
Feb 03, 1958 (67 years old)

Lizzie Borden

Known For

Seeing is Believing: Women Direct
1h 24m
Movie 2017

Seeing is Believing: Women Direct

“We are the stories we tell ourselves.” Seeing is Believing: Women Direct is a documentary series about directors, leaders… who happen to be women.Audiences will hear directly from women who are on the front lines of the field: from major award winners to NYU students, festival darlings to frustrated auteurs. They will discover the pathways to successful creativity as well as how these filmmakers drive through obstacles creative, cultural, and professional. The film ultimately will act as a toolbox for any filmmaker as well as “peer to peer mentorship” for any person who is looking for creative or professional guidance as they move toward their own dreams of being a visual storyteller.

Blank City
1h 34m
Movie 2011

Blank City

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

Calling the Shots
1h 40m
Movie 1988

Calling the Shots

Documentary about women in the film industry. Numerous notable actresses and female directors share their thoughts.

Biography

Lizzie Borden is an American filmmaker, and is best known for the 1983 film Born in Flames. Borden's career as a feminist filmmaker began when she majored in art at Wellesley College in Massachusetts before moving to New York. She moved away from the more mainstream writing and art criticism and decided to become a painter. However, after attending a retrospective of the films of Jean-Luc Godard, she was inspired to experiment with cinema and favored a "naive" approach to film production.

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