In central Tokyo, a young man, Sosuke, aspires to be a manga artist. His current work is about a battle between a hunter and a Japanese wolf. He can’t draw the extinct wolf well and struggles to develop the story. One winter’s day, Sosuke finds an animal’s skull while digging foundations at a construction site and takes it home. Is it a Japanese wolf’s skull?
A Japanese family deteriorates under media scrutiny after their youngest son's political abduction becomes national news.
After her mother's death, Kotomi does not leave the house. Her older sister Ikumi hides her worries about Kotomi behind a hard shell and has a few unorthodox methods to encourage their independence. Participating in the Kiryu City Miss ’local election is one of them.
Cast and crew reunite to film a spin-off, this time set in Hollywood, boasting more zealous zombies and beefed up with international characters.
Real zombies arrive and terrorize the crew of a zombie film being shot in an abandoned warehouse, said to be the site of military experiments on humans.
The girl asked, "Where is Manga Island?" Only manga artists can set foot on the island. Idle people are not allowed to enter, but Manga Island is also like a besieged city. People outside want to enter, while those inside want to come out. A few manga artists trapped on a small island, accompanied by snakes and insects, perform the horror of a deserted island, and even rush to draft day and night, pouring their emotions and desires onto paper. When it comes to brain block, I finally come up with the legend of mermaid monster Tan and dungboat, and I'm afraid of being taken by someone. Everyone was hungry, afraid of both starvation and exhaustion of inspiration. Struggling with the barren environment, but also entangled with one's own demons. Shouwu Wenxiong initially made a long film, wrote and acted by himself, cleverly transforming the desire, pain, confusion, and joy of creation into a fantasy drift of a group of cartoonists.
A poignant moral dilemma unfolding against lush mountainous landscapes, The Albino’s Trees follows Yuku (Ryohei Matsuoka), an animal control hunter who takes on a lucrative job to kill a rare white deer considered to be a god of the forest by a nearby village. Though Yuku initially steps up to the task in order to support his mother’s medical bills, his will begins to falter as he gets to know the villagers and the reasons behind their difficult choice to live as outsiders.
One day, 300 year-old Namahage is caught in a trap. While being transferred he manages to escape. Wandering through the suburbs of Tokyo, Namahage meets 11-year-old Mamoru and he moves in at the boy's house without Mamoru's mother's knowledge. Mamoru struggles to hide Namahage from his mother. Meanwhile, bad pet shop traders seek out to capture Namahage.
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