The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.
Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.
On April 24, 1924, the movies changed forever: The Metro-Goldwyn-Mayer studio opened and soon assembled “more stars than there are in the heavens.” Patrick Stewart hosts this enthralling Emmy® winner as Outstanding Informational Series, a three-part story of M-G-M’s reign as Hollywood’s class act and legendary entertainment empire. Bursting with memorable film clips, rare interviews, behind-the-scenes footage and insider info, this is a mother lode for film fans, profiling perfectionist moguls, glamorous and charismatic actors, innovative filmmakers and landmark movies.
Margaret Booth (January 16, 1898 – October 28, 2002) was an American film editor. Born in Los Angeles, she started her Hollywood career as a 'patcher', editing films by D. W. Griffith, around 1915. Her brother was actor Elmer Booth. Later she worked for Louis B. Mayer when he was an independent film producer. When Mayer merged with others to form Metro-Goldwyn-Mayer in 1924, she worked as a director's assistant with that company. She edited several films starring Greta Garbo, including Camille (1936). Booth later edited such diverse films as Mutiny on the Bounty (1935, for which she was nominated for an Academy Award). A few films associated with her are Wise Girls (1929), A Yank at Oxford (1938), The Way We Were (1973), The Sunshine Boys (1975), The Goodbye Girl (1977), The Cheap Detective (1978), and Seems Like Old Times (1980). She was supervising editor and associate producer on several films for producer Ray Stark, culminating with executive producer credit on The Slugger's Wife in 1985 when she was 87 years old. She received an Academy Honorary Award from the Academy of Motion Picture Arts and Sciences in 1978 for her work in film editing. She is the longest-lived person ever to have been given an Oscar. In 1983 she was awarded the Women in Film Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry. In 1990, Booth was honoured with the American Cinema Editors Career Achievement Award. Margaret Booth died in 2002, aged 104, from complications of a stroke. She is interred at Inglewood Park Cemetery, Inglewood, California.
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