The image of a body that is not in front of the camera. The absence of an image. The presence of a body. The materiality of a dream that is impossible to remember when one wakes up. Someone falls in love. Someone searches for words. Someone moves. Someone falls, or flies. Everyone dances.
Women writers intertwine their work in the form of an anthology in this feature film. The scripts are adapted from tales written by Brazilian women at the end of the 20th Century to create four shorts filmed by directors of groups under-represented in the cinematographic industry of Brazil of 2024. Themes such as death, healing, the body, marriage and desire are tantamount in stories in which women revisit their past in search of liberty.
First volume of a trilogy about anguish. A political-marital dystopia that follows a couple in crisis. Carla kicks Rodrigo out of the house, but he can't leave the apartment because of a lockdown imposed by the authorities. Thus, the two are forced to live together and end up reviewing their concepts, until things around take a turn never imagined.
Marina Lenk is an experienced synchronized diver. However, an attack of Tinnitus — an unbearable ringing sound in the ears — drags her from the top of her game to the edge of madness.
A street vendor who lives in the outskirts of São Paulo returns home at night and does not find her teenager son. After a nonstop search, she finds out the boy was killed by the police and his body is missing. This is the beginning of this woman’s vertiginous fight for the right to bury her son, a fight that will not only unveil the excessive violence of one of most lethal police forces of the world, but also how structural is racism in Brazilian society.
From Germany to Israel, Sweden to Brazil, girls and women face up to their wants and desires - their passions past, and lovers present. A mix of laughter, tears and warm inside feels, come and enjoy these tales and fall in love with the stories upon her lips.
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
Loosely inspired by real events and tells the story of the love relationship between Lia and Veronica. While Veronica is forced to deal with some traumas, Lia immerses herself in a process of elaborating and questioning her own gender identity.
A young lesbian finds her grandmother's eccentric WW2 lover living beneath a swimming pool.
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