The aim of the series is to objectively present all the aspects and consequences resulting from the act of murder, thereby contributing to the culture of non-violence in the society.
A businessman and an engineer arrive in a small town to restore an abandoned factory and manufacture a discontinued turbine for a mysterious client.
A film about a theatre performance and four very notable people behind it: writer and director D. Jovanović, actress M. Zupančič and actors R. Polič and B. Cavazza. This is a story of a love triangle and of a multi-layered, entirely overt intertwining of protagonists’ public artistic personas and their personal lives. The film documents a 4-month process of the making of a theatre piece from the first rehearsal to the opening night, at the same time uncovering the intimate lives of the artists and telling a universal story of the relationship between the real and the imagined, a story of personal and public perceptions of art.
A woman in her thirties who wanted more of life jumps into an extramarital affair, only to lose her husband, her job, and finally her lover as well. However, she thinks she should start anew and have fun no matter the consequences.
The film "1/2" is a story about two neighbors separated by a thin wall. Klara’s daily life begins at 4:30 a.m. with the lifting of a creaking shutter, too loud radio news, and the vacuuming of an apartment. Nikša is losing his temper because of this. The human mind is sometimes capable of producing anything but reasonable verbal communication.
Sani, a boy in puberty, and his elder brother Amir spend their summer holidays as usual in Slovenia to visit his uncle and his wife. The summer is beautiful, long and hot. Sani enjoys meeting new people, he likes the girls and the carefree fun. However, he does not realize that this is more than a vacation, namely, that he would stay in Slovenia. When he finds out about these plans that his relatives made for his life Sani is distressed and shocked. Under the pressure of these new and unexpected circumstances, his puberty turns into a wild chase.
A documentary about the history of Yugoslavian Film Festival in Pula and ex-Yu cinema in general. Many legends of ex-Yu cinema were interviewed here.
After the fall of the Berlin wall, much changed in Yugoslavia, that is now ex-Yugoslavia; a post industrial, post modern, post national, post colonial, post structural society, that can be perhaps summarized in the concept of post socialism? The disintegration of the concept of ideology means that notions are no longer clear. Because we think that we are outside an ideological context, but perhaps we ourselves are the centre of the ideology. It is this idea that corresponds with the thoughts about post socialism in the nineties, and probably the post ideological society of late capitalism as well. The end of the ideological period then perhaps seems imminent. These thoughts are considered in this philosophical media reflection, based on documentary fragments, statements by Peter Weibel and Slavoj Zizek and the works of three artists: Mladen Stilinovic (Zagreb), "Kasimir Malevich" (pseudonym, Belgrade) and IRWIN (Ljubljana).
This is a film about ordinary civilians, who on June 26, 1991, the day when war broke out in former Yugoslavia, find themselves in Slovenia. The main character of the story is an 11-year-old boy, Felix, who is trapped together with his classmates and teacher Jasna in an unmoving column of vehicles on a high mountain road, because of army barricades. The heroes of the story are involuntarily caught between the two enemy military groups. On this day in June, many others find themselves on this road together with the pupils on their school bus - people from various European countries who are traveling south: Frenchmen, Italians, Hungarians, Germans, and, of course, Slovenians; a blend of different professions, nationalities and religions. All of them are individuals who, on a warm summer day, suddenly find themselves in the midst of war.
Kurt Schneider is a superficial and funloving character. Instigated by his mother he swindles his way into the legacy of a house and some money. Both Kurti and his mother are certain there are no legal heirs to the property. Great is their surprise when Ilona appears, who is the legal heiress coming from a remote part of Yugoslavia. Several attempts to get rid of that "Tschusch" prove unsuccessful. Once Mama Schneider gets to know that Ilona is also the beneficiary of a sizable life assurance contract, she destines her son to marry Ilona. While trying to double-cross Ilona, Kurti actually falls in love with her. Now it is Ilona's turn to take vengeance on mother Schneider and to prompt Kurti to take a clear-cut decision...
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