As they prepare to celebrate their wedding anniversary, politically committed professors Hari and Ramona receive a group of unwanted visitors claiming to be from a central intelligence agency. Dressed in white hazmat suits and wearing multifaced masks, the team of men and women raids their house, traumatising the couple and taking away their hard drives. The professors contact the police, but when their friends and acquaintances doubt their claims, Hari begins to break down.
Vennela has fallen for Aranya aka Ravanna’s poetry and the man both. What happens when she sets out on an arduous journey to be with him?
From pulling off casting coups to calming celebrity egos, the drama never stops for four Mumbai talent agents hustling to save their sinking company.
The film is a spontaneous response to the irony of “STAY HOME, STAY SAFE” for millions of women in India and around the world. The film is adding its voice to a conversation that is much needed in the public space. It reminds us that speaking up is only possible when women know that there is someone listening. This pandemic has taught us that our lives are deeply intertwined, and so we must respond to the realities beyond ours.
Albert Pinto goes missing one day and his girlfriend and family start making rounds at the police station to track him down. Unknown to them, he is on his way to Goa to carry out his first assignment as a hitman.
An insight into the life of late writer-director Rituparno Ghosh, the iconic cultural figure from West Bengal (India), who pushed and transgressed the boundaries of sexuality, feminism, and freedom of thought. The film is about an artist's relationship to his city Calcutta and is based on his personal memoirs, archival material, and conversations with cast, crew, and family.
Drama centred around a dacoit named Ghela who believes in the power of the gun and regards it as a necessary tool for survival.
A mock trial during the rehearsal of a play quickly turns into a gripping drama about desire, gender issues, power and control, this is an adaptation of playwright Vijay Tendulkar's Shantata. Court Chalu Aahe (1963).
A skeleton is found at the home of Esther (Nandita Das), whose fisherman husband Arulappasamy (Vishnu) has been missing for the past 25 years. Esther confesses that it was she who murdered her husband but when Agnes (Varsha), the cop assigned to the case, lends a sympathetic ear, she narrates a heart wrenching tale of a loving family ruined by the politics of territorial waters.
Based on a folk tale from Rajasthan, "Parinati" deals with the inherent tragedy of human avarice, which must inevitably lead to self-destruction. Ganesh, the protagonist, is a potter who leads a happy and contented life in a remote village. The only ambition he and his wife Kurjan share is to get their only son Laxman married and bring a daughter-in- law home. Destiny, however, has ordained otherwise. Ganesh is hand picked for his honesty and dedication by a local charitable Seth to become the caretaker of his inn in the middle of the desert. There, Ganesh and Kurjan meet a wealthy couple, who are greatly pleased with their service and hospitality. They offer to take their son Laxman to distant lands, teach him trade and make him fabulously rich.
Nandita Das is an actor and director, one of the leading figures in the Indian film industry. She has acted in more than 40 feature films in ten different languages. Das has been acclaimed for numerous performances, including in Fire (1996), Earth (1998), Bawandar (2000), Kannathil Muthamittal (2002), Azhagi (2002), Kamli (2006), and Before The Rains (2007). Her directorial debut was with Firaaq (2008), which premiered at the Toronto Film Festival, traveled to more than 50 festivals, and won more than 20 awards.
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