Nat DeWolf

Overview

Known for
Acting
Gender
Other

Nat DeWolf

Known For

The Gay Agenda 23
0h 47m
Movie 2023

The Gay Agenda 23

In this anthology of shorts, the phrase "Gay Agenda" is reclaimed from the religious right and transformed into a celebration of gay culture. Sit back and enjoy "Built for Endurance", "Exit", "Bro", "Family History" and "Best Wishes."

The Gay Agenda 13
0h 55m
Movie 2021

The Gay Agenda 13

In this series of short films, the phrase "Gay Agenda" is reclaimed from the religious right and transformed into a celebration of gay culture. Featuring Mark Christopher's classic shorts "The Dead Boys' Club", "Alkali, Iowa", and "Heartland".

The Preppie Connection
1h 35m
Movie 2016

The Preppie Connection

A student at a private school uses his connections to establish a drug trafficking network.

A Most Violent Year
2h 4m
Movie 2014

A Most Violent Year

A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city's history, and centered on the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.

Biography

Nat DeWolf is an actor and writer. His New York theatre credits include Take Me Out (The Public Theater) and Betty’s Summer Vacation (Playwrights Horizons). His regional credits include The Taming of the Shrew (Commonwealth Shakespeare Company), The Comedy of Errors (Pittsburgh Public Theater), Take Me Out (The Repertory Theatre of St Louis — Kevin Kline Award, and TheaterWorks), The Violet Hour (Barrington Stage Company), and The Accident and Tartuffe (American Repertory Theatre). He co-wrote and co-starred with Laura Kirk in the film Lisa Picard is Famous, which made its world premiere at the 2000 Cannes Film Festival. Mr. DeWolf’s other film and television credits include the Merchant/Ivory produced Heights, Trick, We Pedal Uphill, “Law & Order: SVU,” and “Ed.” He is a graduate of The Boston Conservatory and the A.R.T. Institute for Advanced Theatre Training at Harvard University.

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