Life on an idyllic horse farm in Skåne crumbles in a poignant yet hopeful family drama about the struggle with postpartum depression.
In the frozen, war torn landscape of occupied Poland during World War II, a crack team of allied commandos are sent on a deadly mission behind enemy lines to extract a rocket scientist from the hands of the Nazis.
A town in south of Sweden is isolated after a viral outbreak. The Swedes and immigrants still inside must band together to survive the onslaught.
You can run into anything in the Danish woods, but a naked woman covered in blood is not something you see every day. Her name is Robin and she not only claims to have witnessed a gruesome murder but also to having killed her assailant in self-defense. The problem is that the police doesn’t find any trace to prove what happened to her. It remains a complete mystery. Robin feels abandoned by the police, who clearly think she’s the victim of an overactive imagination. Ever her husband and her sister have all the trouble in the world to believe her. She reaches a chilling conclusion. If she didn’t kill the murderer, he must still be out there, wanting to end what he started.
Sara takes a job as a cleaner to find her missing daughter and strikes an uneasy alliance with the sinister janitor. They venture with a small group into the abyss underneath Malmö and the heart of darkness.
In this adaption of a Henning Mankell novel, Inspector Kurt Wallander investigates a case of murder and trade of human organs.
Patrik Karlson is an actor and voice actor interested in mind boggling storytelling, the work and vision of director's Yorgos Lanthimos, Ben Wheatley, Shane Carruth, Maren Ade. Patrik Karlson started acting in 1991 at the age of 23. He leads twenty five years of experience working in theatre and film. His first appearance in a play was in Willy Russell's "Blood Brothers", where he played the lead part, Mickey, and for which he received high acclaim. He also he co-founded the theatre company Teater Amabile in the small village of Klippan in the south of Sweden, together with Heléne Lindquist in 1991. He stayed with the company until 1996, when he moved to work with the Regional Theatre of Skåne. In the spring of 1999 Patrik made his playwright and directorial debut when he wrote, directed, and played the only part ("The man") in the monologue "Följ mig till tidens rand" ("Follow me to the end of time"), which toured Sweden throughout that year. The play deals with matters of love, beliefs, coming to terms with the past, and of life and death.
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