One dark winter evening, the young tsar Saltan was lucky enough to find himself a tsarina from a simple Russian family. He was so impressed by the speech of the young charmer that he married her the same evening, and took her two sisters with him to the palace as servants. However, the treacherous girls do not share the happiness of their luckier sister and begin to plot. Saltan leaves for a long military campaign, during which the young queen gives birth to his son. The evil sisters write a dispatch to the tsar, where they brazenly lie about the child: they say, the queen gave birth to someone unknown, "neither a son nor a daughter." Saltan is upset, but orders to wait until his return. The sisters substitute the letter, and as a result, the girl and her son are sealed in a wooden barrel and thrown into the ocean in the best sadistic traditions.
Live action adaptation of the soviet cartoon shorts Three from Prostokvashino, Holidays in Prostokvashino and Winter in Prostokvashino.
Igor Sokolovskiy has settled in Sochi, and he has everything he needs to be happy: a smart daughter and loyal friends. But one of his friends goes to Dubai, a mecca for those who want to get rich instantly. He has a reliable plan that quickly fails, and now his friend needs to be saved. So Silver Spoon and his friends find themselves in the middle of a scam by international fraudsters.
Viktoriya is a successful businesswoman; in her strictly planned life there is no place for chaos, especially for men. She is stubbornly pursuing the largest contract of her career with investors from the UAE. Almost before flying to a meeting in Dubai, Viktoriya learns that her Arab partners only work with family people. "A man who has a family has honor," they say. Viktoriya does not intend to lose the contract, so she passes off her subordinate Roman as her fiancé. Viktoriya and Roman are flying to Dubai for a deal, their task is to under no circumstances break up and reveal the fictitiousness of the relationship and get a contract.
The war burst into the peaceful life of three friends suddenly, forever changing their destinies. Each of them went to the front, leaving the most valuable things at home in order to fight for this most valuable thing. Surprisingly, they are helped to survive in this fiery hell of battles with fascism, music. Taking musical instruments with them, friends play to maintain the morale of fellow soldiers, as well as to compose the leitmotif of Victory so desired by all.
A lonely farmer from the Tver region, Sergey, is forced to sell part of his holdings due to debts. The buyer turns out to be Alisa, a businesswoman from the capital, for whom this is an easy and profitable deal. Unexpectedly, Sergey refuses Alisa and asks her to leave. Discouraged by such a "warm" welcome, the girl decides to convince Sergey and remains to live in his house. After all, even nature itself helps Alisa, bringing down a hurricane on the farm, blocking all exits. Will a rural handsome man and a metropolitan socialite be able to get along together for at least a couple of days? And at what point will they understand that they are united not only by business, but also by love.
Finist Yasny Sokol is the most famous hero of Belogorye, the strongest, most dexterous and most deserved. Well, the most beautiful, of course. All other heroes are equal to him, children want to be like him, and girls just look at him. Finist is a real superstar. And he carefully protects and maintains this status of his. He needs more and more feats, he is simply obsessed with them. But there is a nuance. The practical benefit of the feat for Finist is no longer of decisive importance. Let's say, freeing a village from a herd of wild boars that tramples down crops is boring, uninteresting, futile: they won't gossip about it, they won't admire it. But going to the end of the world, where Beauty is imprisoned in a tower, guarded by an unimaginable Beast, is a challenge.
The franchise team gathers to remember how it all began, share their favorite moments from filming, and figure out how the characters of Silver Spoon have changed over time.
The 13th Clinical Hospital as we know it does not yet exist, and humanity is just beginning to come into contact with supernatural phenomena. To be ahead, the USSR is beginning to look for doctors who are ready to go beyond conventional medicine. One of these doctors is Yana, a neuropsychiatrist who is going through a family drama.
Jeanne, a housewife with unusual abilities, becomes a super agent of the secret service. Her first task is to catch the most dangerous and mysterious villain Dorad Sibasov. However, the latter has his own plans for Jeanne.
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