Two dancers at an elite ballet academy in Paris must compete for a contract to join the highly coveted Opéra National de Paris as they confront their competitive nature, sexual awakenings and how far they would go to win.
No equal signs of justice can be drawn between those who are accused of a crime, those who are convicted of a crime and those who are the true offenders. That triangle always contains the accused who are not guilty and true offenders whose guilt cannot be ultimately proven. Throughout history, one of the greatest deviations in the strive towards equality has occurred in the triangle of guilt in sexual crimes, where guilt is largely proven on the basis of a woman’s will.
The story of Nobel Prize winner Marie Curie and her extraordinary scientific discoveries—through the prism of her marriage to husband Pierre—and the seismic and transformative effects their discovery of radium had on the 20th century.
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival trying to save from the flames the body of a boy he takes for his son, seeking to give him a proper jewish burial.
The Company tells the thrilling story of Cold War CIA agents imprisoned in double lives, fighting an amoral, elusive, formidable enemy – and each other – in an internecine battle within the Company itself.
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