A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.
The young actor Antonio Mora wants to meet veteran actors, possibly unfamiliar, to learn from their successes and failures, to understand the facet of the interpreter as a worker and as a media star. This seeks help from a journalist friend who will put you in touch with some players, especially in the era of gender co.
After two bank robbers take hostages, one of them rapes the bank cashier and then tries raping Sylvia (Sylvia Kristel), the bank manager. The other robber is Ricardo, the bank president's son and brother of Julio, Sylvia's fiancé. Can Julio free his fiancé and the other hostages?
In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.
Natalia, a fashion model, is assaulted by a man one night, when she is returning from work. She decides to take revenge, and obsessively searches for the rapist.
It's 1649: Mazarin hires the impoverished D'Artagnan to find the other musketeers: Cromwell has overthrown the English king, so Mazarin fears revolt, particularly from the popular Beaufort. Porthos, bored with riches and wanting a title, signs on, but Aramis, an abbé, and Athos, a brawler raising an intellectual son, assist Beaufort in secret. When they fail to halt Beaufort's escape from prison, the musketeers are expendable, and Mazarin sends them to London to rescue Charles I. They are also pursued by Justine, the avenging daughter of Milady de Winter, their enemy 20 years ago. They must escape England, avoid Justine, serve the Queen, and secure Beauford's political reforms.
A girl who lives with her dealer cousin and her policeman boyfriend who is a policeman regularly transports drugs from Morocco for her cousin. As all of them smoke grass from time to time there is need for more. Deciding to take a friend of hers who has just left home down to Morocco for a transport she gets problems because it is the first time for her friend and this makes it difficult. But as all are very open-minded there is no problem they would not try to solve.
Honorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.
In 1938, at the height of the civil war, the musicians of the military band were very worried about their next concert. Agustín receives a letter from his girlfriend, who tells him about the difficulties he is going through with the rice harvest. She then decides to ask permission to go and help her, but as Lieutenant Urquiza refuses, she escapes. Two companions sent to bring him back, finally, stay with him. Also Sergeant Perez and several musicians who go looking for him stay with them.
Ricardo López-Nuño Díez, better known as Ricardo Palacios, was a Spanish actor, film director and screenwriter. Born in Reinosa (Cantabria), Palacios graduated from the Official Film School in Madrid as an actor and director. He debuted in the 1961 TV series Poly. He participated in about 150 films and television series, being mainly active in the Spaghetti Western genre, and he was also a recurring presence in films directed by Jesús Franco. In 1987, Palacios made his directorial debut with the comedy film ¡Biba la Banda!, starring Alfredo Landa, and in 1997 he directed the TV-series La Banda de Pérez. After spending over a month in hospital with heart problems, Ricardo died on 11 February 2015 of heart failure.
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