Little Towa lives with his parents Satsuki and Yuichi in a coastal town on Nagashima. Yuichi is a fisherman, Satsuki runs a restaurant. What Towa doesn’t know is that he is adopted. As a baby, he was abandoned in an internet café, completely emaciated. While his new parents are secretly fighting for custody of him and want to protect him from his past, the family’s happiness begins to falter. Satsuki and Yuichi aren’t the only ones who are worried about Towa’s future.
A woman bears a 13 year grudge with her father over the traditional dance he was performing that caused him to be absent from her mother's death, until they reconnect over the very same dance.
On board at the boat Kanikosen, where fish and crabs preserves, forced workers to work under miserable conditions, with minimum wages. Some can not cope with conditions and even death from malnutrition, and is also the supervisor of the more vicious variety. Shinjo, one of the employees, trying to convince the others that they will get good luck and fortune in his next life, and persuades them because they commit suicide to get there faster. It ends, however, in a single major failure. Rather than flee Shinjo being picked up by a Russian ship. Once there, he is overwhelmed by the social conditions that are completely different from those he has just left and decided therefore to return to Kanikosen to save their employees.
Compilation film featuring short works from directors Hitoshi Yasaki ("Short Cakes"), Yuki Tanada (scriptwriter "Sakuran," "Tsuki to Cherry"), Hiroyuki Nakano ("Stereo Future," "Samurai Fiction"), Masahiko Nagasawa ("Yoru no Picnic"), Masaya Kakehi ("Bijokan), and more for a total of 18 shorts. This time around the theme is "24 hours," where filming for each work must have been completed in 24 hours in order to appear in this film.
Aimi and her father move into an old, apartment building and learn quickly that things are not as they seem.
An American art dealer (Miguel Sandoval), who specializes in southwestern topaz, arrives by train in Liverpool. Similarly, a very proper British art dealer (Alex Cox), who specializes in African art, arrives in the same hotel. The two meet in the hotel's abandoned restaurant and decide to set off in finding an evening meal, which becomes problematic immediately when the Brit reveals he is vegetarian. While following their pursuit of a mutually acceptable meal, the main point of the film is their discourse en route to their various attempts at an eatery.
The film centers on Riko Murakami, a tough-as-nails detective who is also the single mother of a young boy. At work, she has hit a wall investigating a grisly murder in a hotel room. In her private life, she sweats her son's impeding "park debut" -- when she introduces her son and herself to the young mothers of her neighborhood. Most give her strange almost hostile looks except Sachiko (Keiko Unno), who says her kid is in the hospital. While her son gambles about the playground, Riko and Sachiko exchange child-rearing war stories and soon become friends. Then she learns that the prime suspect of her case is none other than Sachiko's husband. Moreover, she learns that Sachiko's son was in fact the center of a kidnapping case several years ago and the child has been long thought of as dead. Her husband and the detective in charge of child's case both have their own secrets, and soon Riko finds herself and her son threatened.
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