The film shows the resistance movement of the residents of Favela do Vidigal against the removal order, an important chapter in the history of Rio de Janeiro in the 1970s.
The composer, singer, musician, painter and filmmaker João Lutfi, known as Sérgio Ricardo, narrates his journey from the beginning as a pianist for TV Tupi, through his experience as an actor on TV, as a bossa nova artist until he found his very own and characteristic style as a filmmaker and composer.
It is a realistic musical documentary, mixing the old and the new, exchanging chronological positions, creating a suggestive carousel for the audience. A tribute to Sérgio Ricardo's cinematographic work narrated through the assembly of scenes and tracks taken from the 7 films he directed. In this anthology, the most recurrent theme in the author's work is portrayed: the struggle of the oppressed worker who finds love, music and the community his escape valve.
Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
Vidigal, Rio de Janeiro. A woman is left desperate and hopeless after she is evicted from her house with her disabled son.
João Lutfi (18 June 1932 – 23 July 2020), known professionally as Sérgio Ricardo, was a Brazilian actor, musician, playwright and filmmaker, better known for being responsible for the soundtrack of Glauber Rocha's "Deus e o Diabo na Terra do Sol" ("Black God, White Devil"). Born in a Lebanese-Brazilian family in Marília, São Paulo, and brother to famed director of photography Dib Lutfi, João got his stage name from TV businessmen who wanted to rebrand him as a leading man with an iconic name during his early gigs as an actor. He's maily associated with the Cinema Novo (Brazilian New Wave) movement, but stayed active until 2018. During the Cinema Novo days, Ricardo directed short film "Menino da Calça Branca" (1961) and "Esse Mundo É Meu" (1963), his feature-length debut. Among other notorious works in his career as a filmmaker is "A Noite do Espantalho", which shows Ricardo's talent as a polymath by mixing filmmaking with folk music and other elements of Brazilian popular culture, such as "cordel" literature. Ricardo moved to the Vidigal slum, in Rio de Janeiro, by choice in the 1970s, where he lived until his death in 2020. "Bandeira de Retalhos" (2018), his last film, was adapted by a theatre play also written by him and chronicles the life in 1970s Vidigal.
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