Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.
Paris, October 1948. Nino, Gilles, Donald, Barbara and their friends are a new breed of spectators. They discover the cinema as art, they are moviegoers. They will try to realize their grand project: to found a film club. "My film first wants to be a testimony of young people who have lived for a passion. Cinema"
Jean and Julie meet again ten years after childhood. Jean has trouble recognizing the grown up girl. Julie is "promised" to Henri, a neighbor. Julie, scathing and capricious, provokes Henri and Jean.
Three young friends steal some music equipment for their struggling post-punk band and, in a panic, kill the shop’s owner. Assayas’ debut feature examines, with characteristic restraint and acuity, the psychological fallout as the band unravels—and each of its members grapple with their own feelings of guilt, paranoia, and despair.
While in the first part, Lili searched for her mother, she now questions her mom on the identity of her father.
Model turned top model, Marine dreams of creating her own collection. Thanks to her talents and her ambition, she will try to overcome the obstacles and to transform her dreams into reality. As happiness never comes alone, she will simultaneously live a beautiful love story with a young lawyer she fell in love with.
Simon de La Brosse (9 October 1965 – 17 April 1998) was a French actor from Suresnes. He started his acting career in the role of Sylvain in Éric Rohmer's Pauline at the Beach in 1983. He committed suicide in 1998, shortly after completing the TV film Louise et les Marchés. Source: Article "Simon de La Brosse" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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