A quirky anthology, consisting of four separate short films connected by host segments. The first one, BOOGIE WITH THE UNDEAD, has an all girl rock band booked to play a gig in a town overrun by flesh-eating zombies. In the second one, THE DEVIL'S DUE AT MIDNIGHT, a coven of beautiful witches conjure up Brad Dourif as The Devil, and endures the inept attacks of witch killer Ken Foree. In the first long segment, HER MORBID DESIRES, an actress gets the lead role in a vampire movie, only to discover that starlets are being murdered on the set. The other long segment, CRY OF THE MUMMY, has the reincarnated mummy, formerly the last Pharaoh of the 4th Dynasty, looking to sue the movie studios because he can't get work as a mummy. His new lawyer offers to represent him as an agent, but the mummy will only work in film if he can direct.
Japan in Paris in L.A. centres on Saeki Yuzo, an early twentieth-century Japanese artist who makes a pilgrimage to Paris to seek his artistic fortunes, only to find that ethnic and cultural differences stand in his way. Around this narrative, the Yonemotos construct a multi-layered and self-reflexive work in which strategies of disjunction and contradiction are key. Employing heightened theatricality, experimental narrative strategies and archival footage, the film proposes a complex meditation on issues of modernity, representation, ethnocentrism and identity.
"It's a little raw and crude right now, but I want this to be 'My Rotten Life' as a dessert, not as a liver pill." Cult film actress Susan Tyrrell (Fat City, Forbidden Zone, Cry-Baby) performing her one woman semi autobiographical musical show at La Cage, Los Angeles, 1992.
A prim and proper schoolgirl goes against her society grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.
The story of Ivan and Josh, two dimwitted ex-security guards who love music videos. Out of work, with no job prospects, they form a music video production company. They soon learn the ins and outs of the business in LA, and with some help from Mo Fuzz, they soon become hot property. But not all goes smoothly when they try to resurrect the career of their favorite R&B duo, the Swanky Modes.
Danny Warren is a former minor-league shortstop that becomes a narc to uncover drug dealing in this situation comedy. Investigating at a high-school adult-education class, he falls for the tempting teacher. He joins a colorful group of characters that includes ex-cons, illegal aliens, and brain-dead baby boomers that cause more trouble than their younger counterparts. Swimming classes and wine tastings serve as background for a series of comic catastrophes.
The uncle of an executed murderess relates four stories of his hometown, Oldfield, to a reporter. In the first, an elderly man pursues a romance with a younger woman, even to the grave and beyond. In the second, a wounded man on the run from creditors is rescued by a backwoods hermit who holds the secret to eternal life. In the third, a glass-eating carny pays the ultimate price for looking for love on the outside. And in the fourth, a group of Civil War soldiers are held captive by a household of orphans with strange intentions for them.
The Chipmunks and the Chipettes go head to head in a hot air balloon race, and the winner gets $10,000. Unbeknownst to the participants, the "race" is actually a diamond smuggling ring!
She's a New Orleans gambler with a poker face no man can resist. And when she unwittingly wins a "house of ill repute" in a high-stakes card game, things start moving like a runaway train.
Susan Tyrrell (born Susan Jillian Creamer; March 18, 1945 – June 16, 2012) was an American character actress. Tyrrell's career began in theater in New York City in the 1960s in Broadway and off Broadway productions. Her first film was Shoot Out (1971). She was nominated for the Academy Award for Best Supporting Actress for her performance as Oma in John Huston's Fat City (1972). In 1978, Tyrrell received the Saturn Award for Best Supporting Actress for her performance in Andy Warhol's Bad (1977). Her New York Times obituary described her as "a whiskey-voiced character actress (with) talent for playing the downtrodden, outré, and grotesque."
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