Facing pressure to marry immediately, an unemployed man must find a way to pay for a wedding by any means necessary.
Days before Eid, a salesman fired from his job drives to meet his girlfriend's family, but the trip goes astray due to his zany travel buddy.
Coşkun has been in love with the famous star Derya Altınay since his childhood. So much so that the fictional melodrama film heroines, who have opposite characters, have infiltrated the young man’s life. Coşkun has the opportunity to meet Derya; he pens an imaginary love story with her in mind. This script is eventually made into a film, and Derya plays the lead role, but the resulting film is far from his expectations.
In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.
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