The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.
The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines. Tragically he was dead from the effects of drugs and alcohol by the time he was only 50 & the myths live on. But there is another side of Flynn that is less well known - his ambitions to be a serious writer and newspaper correspondent, his documentary films and his interest in the Spanish Civil War and Castro's Cuba
Short documentary about the "woman's picture" at Warner Brothers.
Produced by Warner Brothers as one of the extras to the DVD release of MR. SKEFFINGTON (1944), this short documentary has a variety of talking heads describing the origins and impact of the film on its original release, as well as explaining how and why its appeal has lasted so long.
A documentary about the life of Errol Flynn, with recollections from friends and family.
Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today.
Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.
In this documentary on the life of Joan Crawford, we learn why she should be remembered as the great actress she was, and not only as "mommie dearest." caricature she has become. Friends, fellow actors, directors, and others reminisce about their association with her, and numerous film clips show off her talent from her start in silents to bad science fiction/horror movies at the end of her career.
Noted Hollywood stars and directors talk about the history and evolution of the film industry in Los Angeles.
Vincent Sherman (July 16, 1906 – June 18, 2006) was an American director, and actor, who worked in Hollywood. His movies include Mr. Skeffington (1944), Nora Prentiss (1947), and The Young Philadelphians (1959). He began his career as an actor on Broadway and later films. He directed B-movies for Warner Bros. before moving up to A-pictures. He was a good friend of actor Errol Flynn, whom he directed in Adventures of Don Juan (1949). He directed three Joan Crawford movies The Damned Don't Cry! (1950), Harriet Craig (1950), and Goodbye, My Fancy (1951). Description above from the Wikipedia article Vincent Sherman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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