It is with Yann Dedet, the great French film editor known for his work with Truffaut and Pialat that the Belgian Joachim Lafosse has chosen to edit his fifth film, L’Économie du couple (After Love), the chronicle of a divorce and its emotional and economic repercussions on the couple and their children. The film shows that the interaction, sometimes fluid and sometimes tense, between two collaborators depends on an “economy of the couple”, whose intimacy is bared to the outside world when the critical step of a first screening for the producers arrives.
In French Algeria, after WWII, three daughters of wealthy settlers begin their adult lives. Zon marries an often absent sailor. Malene's husband, Gildas, refuses to work in the farm, so she has to take care of everything. Gritte, the youngest, does not want to marry and is a nurse for the natives. We will follow their three different destinies.
Two brothers set fire to a barn while drunk, inadvertently causing the death of a sleeping wanderer. One of them takes all the blame for the incident and spends ten years in prison.
Satan tempts Father Dossignan, who is trying to save the soul of a young girl who killed one of her lovers.
Mangin, a police inspector in Paris, leans hard on informants to get evidence on three Tunisian brothers who traffic in drugs. He arrests one, Simon, and his girl-friend Noria. Simon's brothers go to their lawyer. He springs Noria, who promptly steals 2 million francs that belong to the Tunisians. They suspect her of the theft; her life as well as the lawyer's is in danger. Meanwhile, Noria is playing with both the lawyer and Mangin's affections. Mangin is mercurial anyway: intimidating and bloodying suspects, falling for a police commission trainee before flipping for Noria, wearing his emotions on his sleeve. Can he save the lawyer and Noria, and can he convince her to love?
Two quarreling lovers from opposite sides of the economic scale take central stage in this drama about Veronique and Adrien. Veronique is wealthy and from the provinces, Adrien is impoverished and his ancestors come from Brittany. In spite of their different backgrounds, the two fall in love, marry, and eventually have a baby girl. At just about that time, Veronique decides to go back to school, and Adrien becomes both mother and father to their baby. Unable to cope with Veronique's new-found intellectual friends and different lifestyle, Adrien clashes with her, and their arguments lead to a separation for awhile. The two then get back together again, but not for long. It is on a return trip from visiting his mother in Brittany that Adrien's life undergoes a dramatic change, and his story takes an equally unexpected turn.
A César award winning short film about a young actress who has to disguise her pregnancy bump in order to keep working.
Yann Dedet (born January 25, 1946) is a French film editor and actor. Dedet has been working in film editing since the early 1970s. He often worked for film directors François Truffaut, Maurice Pialat and Nicole Garcia. His work includes more than 80 film and television productions. In 2012, Dedet was awarded the César Award for Best Editing with his co-editor Laure Gardette for the 2011 film Polisse. Before that, he had been nominated twice times. As an actor, he was only seen in small roles. Source: Article "Yann Dedet" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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