Through two unique female personas the film suggests a metaphysical idea of the present as ever recurring, since the temptations, which the human soul faces, are always the same. But any choice can be made only after the experience of the past is passed on and shared with a kindred spirit in the present. Such is the nature of the relationship between Adriana, the femme fatale of 1938, and the innocent Yura of 2008.
A young Jewish girl, Sara, is looking to escape the clutches of the Third Reich after seeing her parents and sister brutally slain by a smuggler who betrayed them while attempting to escape to England. Terrified, she is sheltered by her childhood friend Jean, a homosexual in a clandestine relationship with his lover Philippe.
A young sculptor has been preparing his first exhibition for years. In the autumn of 1962 it becomes a fact. The show provokes a scandal in the society.
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