1963. The young nurse Anna begins working in the juvenile ward of a mental hospital. There she meets Lucia, a fifteen-year-old schizophrenic. Against the backdrop of a struggle between Dr. Marie and the rigid Dr. Oreste to reform patient treatment, a relationship between Anna and Lucia develops, forcing them to make decisive choices for their respective lives.
Fresh out of a psychiatric hospital, Pia moves back in with her parents to get her life together. Torn between a new job, lovesickness, psychotropic drugs and social stigmatization, she emerges into a world where everything seems out of control.
“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.
Averroès and Rosa Parks: two units of the Esquirol Hospital, which - like the Adamant - are part of the Paris Central Psychiatric Group. From individual interviews to «carer-patient» meetings, the filmmaker focuses on showing a form of psychiatry that continually strives to make room for and rehabilitate the patients’ words. Little by little, each one eases open the door to their world. Within an increasingly worn-out health system, how can the forsaken be given a place among others.
Growing up on the grounds of one of Germany's largest psychiatric hospitals is somehow - different. For Joachim, the director's youngest son, the patients are like family. They are also much nicer to him than his two older brothers, who drive him into fits of rage. His mother, painting watercolors, longs for Italian summer nights instead of constant German rain, while his father secretly, but not discreetly enough, goes his own way. But while Joachim slowly grows up, his world, not only through the loss of his first love, gets more and more cracks...
Alice Gould, a private investigator, pretends to be mentally ill in order to enter a psychiatric hospital and gather evidence for the case she is working on: the death of a patient in unclear circumstances.
June and Jennifer Gibbons are twins from the only Black family in a small town in Wales in the 1970s and '80s. Feeling isolated from the community, the pair turn inward and reject communication with everyone but each other, retreating into their own fantasy world of inspiration and adolescent desires. After a spree of vandalism, the girls are sentenced to Broadmoor, an infamous psychiatric hospital, where they face the choice to separate and survive or die together.
Dora, a young woman at the center of an unusual murder trial, is subjected to a psychiatric evaluation, and as the tests become more personal — and frightening — she begins to question the true motives of her doctor and is forced to live through the recreations of her past.
These young women are an odd couple. Julie is quick-witted and stubborn. She celebrates idleness and even voluntarily checks into a psychiatric clinic. Nurse Agnes, on the other hand, is always eager to do the right thing and to meet everyone's expectations of her, which is not always easy. When the two of them accidentally meet one day, odds are they won't get along. But they quickly feel attracted to one another, despite their enormous differences.
The Way of the Psychonaut explores the life and work of Stanislav Grof, Czech-born psychiatrist and psychedelic psychotherapy pioneer. Stan’s quest for knowledge and insights into the healing power of non-ordinary states of consciousness, influenced the discipline of psychology and profoundly changed many individual lives. One of those transformed by Stan is filmmaker Susan Hess Logeais. The documentary utilizes Susan’s personal existential crisis as a gateway to Grof’s impact, from the micro to the macro.
Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.
A dedicated forensic psychiatrist, Emma Robertson, is assigned to assess the sanity of Connie Mortensen, a “yummy mummy” accused of a despicable crime.
Desperate to escape from his emotional baggage and the heavy responsibility he’s had all his life, a psychiatric ward worker begins to heal with help from the unexpected – a woman who writes fairy tales but doesn’t believe in them.
Two strangers are drawn to a mysterious pharmaceutical trial that will, they're assured, with no complications or side-effects whatsoever, solve all of their problems, permanently. Things do not go as planned.
Follows the daily lives of caregivers and patients who live and work inside Philippe-Pinel Institute. The institute welcomes patients who committed violent acts and have been declared not criminally responsible, but who are still a threat to themselves and others.
The psychiatric hospital was and is a disturbing place. Michel Défago, a former nurse, reports on a time when mentally ill people were still shackled or isolated. Today, nurses make every effort to free patients from their suffering and isolation.
Four young adults with different stories but the same destination; closed psychiatric ward.
Set in 1996 in Lincolnshire, the show tells the tragic and humorous story of a very troubled young girl Rae, who has just left a psychiatric hospital, where she has spent four months after attempting suicide, begins to reconnect with her best friend Chloe and her group, who are unaware of Rae's mental health and body image problems, believing she was in France for the past four months.
A psychology postgraduate student escorts two patients and their nurse to a seaside psychiatric clinic. Along their journey, they break through each other's barriers, delve into the sources of their various traumas, and discover the lasting imprints left on their fragile souls.
In a series of escalating encounters, former security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
The crew of a horror web series travels to an abandoned asylum for a live broadcast, but they encounter much more than expected as they move deeper inside the nightmarish old building.
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